decker

4.08.2006

news

Nice dancing today. I appreciate the patience of SO many of you when you weren't on stage. Use that time wisely to review lines and songs, find/make a prop, and practice dances. I've noticed a clear tone change in your attention: thank you.

I'm working on tix, bio photos, and t-shirt image. I'll try to limit the typos. $12 to Sarah on Monday for t-shirts -- after you pay your activity fee.

Light and sound crew is pretty amazing. They may be far away from the stage, but their work is valuable and help us do this. Especially thank Allison Cooney.

Let's also keep David Harris at the top of our list. He has logged more hours than ANYONE else involved in this show, although he won't spend a minute under the hot lights. His work makes possible any success we have.

Monday, beyond having a clear run, I hope to focus on the street scenes, making sure we all have believable actions and intent.

Tuesday we'll have fun at the Guthrie!!! Tix are complimentary, bus is $15, entertainment provided by me and Nieland is free. Bring me your check early Monday morning to make sure you're going.

Wednesday we have ONE goal: get through the show with the pit.

I am powerfully moved by moments in the show. Today, during a rehearsal of the Kaddish with only four people, I was in awe. More of those will continue to appear as we progress.

Oh, and here's the lapel tearing stuff I found:

Rending One's Garments

Keriah means tearing and originally this referred to rending one's garments at the moment of hearing about a death. This sign of mourning is now generally practiced immediately before the funeral service.

Keriah originated as a response to pagan practices in which people would mutilate themselves and tear out their hair upon hearing of the death. So keriah represents, by contrast, the containment of grief. At the same time, especially in our contemporary setting, keriah is a dramatic and sanctioned expression of anger and anguish. Ripping a shirt can be a release and relief. (In modern settings, a specially designated mourner's lapel ribbon is often torn instead. Many rabbis, myself included, find this less powerful than rending a garment that has been worn in the presence of the deceased.) Mourners tear the fabric as if to say, "My world and my heart are torn apart by this loss." Providing this release, the tradition validates the mourners' feelings, alleviating any guilt they may have about their anger at God.

Children mourning parents rip an area of clothing or a ribbon on their left side, over their hearts, to indicate a heart-felt loss. For other losses, mourners rend on the right side, and a less visible tear may be made. Parents command a greater level of mourning than other loved ones, because they gave us life. (The mourner's prayer is recited for eleven months for a parent, but thirty days for others.) With the loss of a parent, we are also deprived of the opportunity to fulfill the mitzvah (commandment) to "honor thy father and mother."

Neither a garment nor a mourning ribbon is torn completely. The mourners leave it attached, if only by a few threads, symbolizing that, as long as memory is alive, the connection between the deceased and the mourner is never fully severed.

Good night and good luck.

4.06.2006

schedule, t-shirts, other.

In the final weeks, please check here for updates and remind others to do the same -- there are some short notice items below and we need to use this to get everyone on the same page.

There are nine different variations of the cover image, from the audition piece, to postcards, poster, senior flyer, program cover, t-shirts, ad nauseum. Here's one of them. The show will have a very slick marketing presence, can we get the show to the same quality?



Friday: Run through w. Stela SIX LEFT
Saturday: 11 - 3 pm final shot at choreography
Monday: music less run
Tuesday: Hamlet, 4:30 - 5:30 rehearsal sound rehearsal -- VITAL!!!
Wednesday:Crawl-through with pit
Thursday: Run FIVE LEFT
Friday: Run FOUR LEFT
Saturday: Tech Day. 9- 12 set finishing, 1-4 run THREE LEFT
Monday: Run TWO LEFT
Tuesday: Run ONE LEFT
Wednesday:9:30 preview, 10:30 Show
Thursday: 6PM call, 7:30 show
Friday: 6PM call, 7:30 show
Saturday: 6PM call, 7:30 show. STRIKE!!! All stay till all done.

Spend some time realizing how little we have left.

Postcards and posters will be distributed at rehearsal on Friday. Both cost a fair chunk of change (and look fantastic) so they need to be used well.

How's your Hamlet? Prepare for Tuesday's show. Especially valuable are the behind the scenes articles with the various directors and designers. Reading these before the production will help you appreciate what you're seeing even more. How's your Tyrone Guthrie? Google him and learn a bit about why the theater with his name is hardly his most impressive credit.

Pay Sarah your $35 activity fee (or give her the name of the activity you paid it to), give her your BIO, make sure your photo has been taken by Bobby, THEN give Sarah a check for $12.00 for a t-shirt along with your size (no customizing, but everyone's name will be on it). Pit band and crew too. This has to happen by the end of practice on Monday or no t-shirt, no bio inclusion, no exceptions.

Hmmm. . . will the props desperately needed for the show appear as quickly as the checks for the t-shirts? Will the cast be off-script and on-music? Will everyone be on stage when they need to be? Let's do more than hope, let's make it happen.

Tyrone Guthrie ended each rehearsal with the following, as I similarly charge each of you.
"Surprise me tommorrow."

4.02.2006

PROPS

Welcome back :)

1. Need someone to coordinate BIO PHOTOS for the program. Get everyone, burned on CD to me by Friday.

2. Find the props below. We're busy in rehearsal, so ask others. All receipts will be reimbursed, quickly. Turn them in to Sarah B. or me.

3. Find set builders. We are at the point where the more labor we have, the more set gets done (and the better show you have). This will only happen if you specifically approach others and directly ask them to show up for set building. 2 hours each or find someone to work those 2 hours for you. It's your show, not mine.

4. Be ready to work hard at rehearsal. When you're on, be on. As Tyrone Guthrie said, "Surprise me."

PROPS

IMMIGRANTS

Saul slips of paper to hand out (theater, street, boat)

Guards clipboard X2

Immigrants white cards – everyone!

Immigrants green cards – half

Immigrants sheets of paper (visa documents)

3 suitcases

2 gunny sacks

2 w. books secured by leather belt

2 w. bundles of clothes in shawls/fabric

1 w. baby bundle

1 w. paper and pencil

Rebecca paper and pencil

Bella B + W magazine (old Life? – Miller’s antiques?? Shop 4 more)

Bobby photograph, cobbling stuff

2 w. handfuls of bills/coin purse

1 w. knitting stuff (wooden needles, brown wool)

1 w. old pair of shoes over shoulder

Recruiters w. flyers X2

Most with slips of paper (directions, maps, numbers. . .)

STREET

Eggs in fabric to sell

2 wicker baskets w. scraps to sew

** bundles of rags tied together

Fruits and vegetables (carts)

Scrap metal and tools (carts)

Pots and pans (carts)

Tool box (old, wooden, carpentry)

Clothing to sell on carts, especially gloves

Apples to eat

Jewelry to sell on wooden board (nailed on, portable)

Kitchen utensils to sell (wooden)

Bundles of B + W newpapers

Flower seller w. basket/bundle

SWEATSHOP

3 baskets of clothing pieces

Small white pieces (collars and cuffs)

Black armbands for everyone (8)

Saul UNION button (need total of 5 for Bread and Freedom)

MISCELLANEOUS

Children’s book/reader

Theater tickets

Popcorn and 2 small paper bags (theater)

Peanuts in small paper bag (theater)

Wedding band (Rebecca)

Cane for Nathan (ornate headpiece)

Another cane for social club (other)

Tobacco leaves (or substitute) and tobacco, w. box and board

Gramophone and extra albums

Stand for gramophone in street

Suitcase for David moving to Orchard Street

Coins for street use (provide ur own)

Lapel pin (flag) for Big Tim and Nate

Clarinet

Violin

Billy clubs for guards to break up rally

Stool/box for rally speakers (2 people to stand on)

1. Sarah B. is in charge of this list.

Let her know of changes/additions AND when you are responsible for it.

2. Don’t ever touch anyone else’s prop.

3. Always keep your prop in its proper place on the prop counter.